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Publicity and the early modern stage 1st ed.

Author
Additional Author(s)
  • Deutermann, Allison K.
  • Hunter, Matthew
  • Gurnis, Musa
Publisher
Cham, Switzerland : Springer International Publishing, 2021
Language
English
ISBN
9783030523329
Series
Early modern cultural studies 1500–1700
Subject(s)
  • ENGLAND--LONDON
  • PUBLICITY
  • THEATER
Notes
. .
Abstract
What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and women associated with playing—not just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productions—introduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity.
Physical Dimension
Number of Page(s)
1 online resource (xv, 294 p.)
Dimension
-
Other Desc.
ill.
Summary / Review / Table of Content
1. Introduction Allison K. Deutermann (Baruch College, CUNY) and Musa Gurnis (Washington University, St Louis) --
Part One: People Made Public --
2. Local Characters Onstage and Off Musa Gurnis (Washington University in Saint Louis) --
3. Bodies Public: The Roaring Girl and the Rise of Celebrity Matthew Hunter (Texas Tech University) --
4. Celebrity No-Show: John Taylors The Great Eater of Kent Karen Raber (University of Mississippi) --
5. Jonsons Ridicule of Shakespeare in To the Reader of The Alchemist James P. Bednarz (Long Island University) --
Part Two: Imaginary People and the Social Imaginary --
6. Fictional Celebrities and the Repertory System Richard Preiss (University of Utah) --
7. Robert Armin's Nest of Ninnies and the Public Punchline Adhaar Noor Desai (Bard College) --
8. Extravagant and Wheeling Characters Allison K. Deutermann (Baruch College, CUNY) --
Part Three: Knowing Audiences --
9. Coriolanus in the Marketplace Piers Brown (Kenyon College) --
10. Methinks I see the brave Hieronimo! Dramatic Convention and Audience Experience in the London Commercial Theater Lauren Robertson (Columbia University) --
11. Afterword Joe Roach (Yale University).
Exemplar(s)
# Accession No. Call Number Location Status
1.00851/21792.0942109031 PubOnline !Available

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